We found Travelodge Kings Cross Royal Scot being close to Kings Cross, and is fairly cheap amongst the central Travelodges. You can also choose Kings Cross Central itself, or Travelodge Farringdon - all much of a muchness.
We originally planned a different route to this, but we really wanted to visit Prospect of Whitby (1520) so we headed over there after Ye Old Mitre (1646). However, having cut out a couple we had planned we found the Captain Kidd (1650) and Town of Ramsgate (1545) just as enjoyable - before finishing with a little live music at Piano Smithfield.
The Guinea (1675) was our first pub, and it didn't disappoint. The barman - an Irish guy was very friendly and talkative - no surprise there. We spoke about our plans for the day, and he mentioned he would have loved to have joined us. Maybe he could next time!
The Guinea is a Mayfair institution; there’s been an Inn on this site since 1423. Our restaurant, the Guinea Grill opened in 1952. We specialise in serving dry aged, grass fed British beef from an open grill. You’ll find a selection of Young’s Ales at the bar and our atmospheric private dining room is perfect for up to 28 people.
The Guinea is a Mayfair institution; there’s been an Inn on this site since 1423. Our restaurant, the Guinea Grill opened in 1952. We specialise in serving dry aged, grass fed British beef from an open grill. You’ll find a selection of Young’s Ales at the bar and our atmospheric private dining room is perfect for up to 28 people.
Grade II listing:- Public house. 1848-49. Painted brick with guilloche sill band at 3rd floor level. 4 storeys and basement. 2 windows. Elaborate ground floor facade of 3 bays with arcaded treatment. Above, a centre piece with flanking scrolls and swags with putti in relief holding crossed keys.
The Cross Keys (1848) was charming - we actually had a couple of beers here. Quirky furnishings and some strange folk it has to be said. Not too far a wander from Covent Garden.
Recessed casement windows in enriched stucco architraves, the first floor with console-bracketed dentil cornices, the 2nd cambered arches with keystones, the 3rd round-headed with keystones
Great London pubs don't get much more historic than this. The very first mention of a pub on this site is in 1772, when it was known as The Coopers Arms (the name changed to The Lamb & Flag in 1833).
The building's brickwork is circa 1958 and conceals what may be an early 18th century frame of a house, replacing the original one built in 1638.
The poet and satirist Samuel Butler is supposed to have been one of the pub’s early customers but he died almost a century before it can even be confirmed that there was a tavern here. (Claims that the pub’s history can be traced back to 1623 are almost certainly erroneous.) Undoubtedly, though, Butler did live on Rose Street, which is a narrow, dog-legged thoroughfare, bisected by Floral Street, and with the exception of the Lamb and Flag it’s not much to look at nowadays.
The pub acquired a reputation in the early nineteenth century for staging bare-knuckle prize fights, earning it the nickname 'The Bucket of Blood,' and the alleyway beside the pub was the scene of an attack on the poet John Dryden in 1679 by thugs hired by John Wilmot, 2nd Earl of Rochester, with whom he had a long-standing conflict.
Twinkling is what stars are intended to do, of course. And its devoted attendees certainly think "brilliant" is a justifiable word to describe The Seven Stars: a perfect, ancient London boozer. Roxy Beaujolais, its legendary publican-- the Alewife For the Ages, as a pub critic has called her-- might personally be thought of as a substantial sparkler rather than a coy twinkler. So, about both, starting with the pub.
Situated just behind the Royal Courts of Justice on Carey Street, this 'narrow' pub has somewhat of a café feel. The plastic covers on the tables more reminiscent of a greasy spoon than a historical boozer.
The narrow and very steep stairs to the toilets, adjacent to an office. The beer was excellent, which let's be honest is why we come to these places - along with the chatter. Worth a visit if like us you are looking for the older 'character' pubs - which it certainly had in heaps.
For tangible evidence upholding 1602, one needs to look within its much later brick and stucco exterior cladding, and its mostly late Victorian bar interior. Unmistakably ancient roof beams are exposed in the plaster of the sloping north wall in the upstairs kitchen. The floorboards of the first-floor passageway and the office are very old oak. Datable Tudor construction is visibly apparent in the cellar view underneath the ground to first-floor stair.
When Listed Building Consent was obtained for an electric dumbwaiter that was installed in 2001, the hole cut through the first floor revealed unplaned hewn beams, an insulation packing of ancient reeds, and joined timber connections rather than nails. The most telling sign of the pub's late Elizabethan date is the characteristic historical formation of the narrow and steep stair with winder treads, from the bar to the first floor. In 2019 the pub's Elizabethan stair carcase was fitted with oak treads and oak wall linings to protect its substructure, and to delineate its glorious configuration.
This is one of the great inter-war pubs and draws nostalgically on the traditions of Tudor Merrie England. It was rebuilt in 1923–4 (designer possibly Ernest R. Barrow) to replace a shop owned by Henekey & Co., a famous London wine merchant. The tall, narrow façade, no doubt fossilising the plan of an ancient plot, has elegant Tudor detail. The right-hand corridor leads past the fairly conventional front bar to the key area, a great long, open-roofed baronial hall at the rear
The birthplace of the Solstice Gallon, over a hearty course of traditional fish & chips (and oiled with a few beers!)
On the right this has a series of drinking booths, which are unique in an English pub of this date (but found in Northern Ireland and, in modern times, imitated at pubs in the Wetherspoon chain). Behind the servery are great vats, said to have been in use until the Second World War for holding spirits and fortified wines. The iron columns supporting the gallery are no doubt Victorian.
The triangular stove is believed to have come from Gray’s Inn and to date from about 1815: its flue goes down before going up to exit the building. The brick cellars (open Tue–Fri evenings) are a survival from the previous building. Other fine examples of the Tudor/baronial theme can be found at the Black Horse, Birmingham), and the mighty King & Queen, Brighton
Inner London’s busiest streets crisscross quiet cobbled lanes for an effect that can be urbane or quaint – or an intriguing blend of both – depending on the particular corner you turn.
Due to its especially convenient location, bustling Holborn hosts an excellent range of hotels, eateries, and shops to suit practically any taste or budget.
With major attractions like the British Museum and Somerset House as well as popular areas such as Covent Garden and Soho all just a short walk away, Holborn is a smart base from which to explore London.
Prospect of Whitby, built in 1520, is the oldest riverside tavern. All sorts of people from sailors, smugglers and cut throats to British movie stars and politicians have tread over our original 400-year-old stone floor.
Did you know? The pub was originally frequented by those involved in life on the river and sea and it was a notorious haunt for smugglers, thieves and pirates! Other notable customers have been Charles Dickens, Samuel Pepys, Judge Jeffries and artists Whistler and Turner.
The Prospect Of Whitby is a traditional British pub in Wapping serving great cask ales and freshly cooked traditional pub food such as hand-battered fish and chips and our brilliant Sunday roast. Vegan, vegetarian and non-gluten options are also available.
The Captain Kidd is a pub in Wapping, East London that is named after the seventeenth century pirate William Kidd, who was executed at the nearby Execution Dock. The pub is a Grade II listed building, and was historically used as a coffee warehouse.
The Captain Kidd pub is situated at 108 Wapping High Street, next door to the Marine Police Force headquarters. The building originates in the 19th century as a three-storey brick house, and was remodelled in the Edwardian era.
To the rear of the building, there is a former workshop that goes out to a wharf. The building, along with 110 Wapping High Street, are now Grade II listed.In the 1980s, the building became a pub, having previously been a coffee warehouse. It was named after the seventeenth century pirate William Kidd, who was executed at the nearby Execution Dock in 1701.
The pub has a nautical theme and retells the story of Captain Kidd and his execution; the layout of the pub is designed to be similar to a ship’s hulk. The entrance has a large archway, and the pub has three floors, and has a terrace overlooking the River Thames.
If you visit during low tide, you can still see the post to which condemned pirates were chained to drown as the tide rose. The Stairs were made famous in Rawlinson’s cartoon and Dibden’s poems. John Banks came here, with Captain Bligh to inspect the Bounty before purchasing it for the ill-fated voyage to Tahiti.
More happily, many returning sailors were met by their sweethearts on the Old Stairs at the end of a voyage. The silent question that must have been on many sailor’s lips is answered by a verse on the wall of the pub.
For over 10 years, Piano Smithfield has been the quintessential piano bar – a charming place to soak up the fun, lively and often raucous atmosphere whipped up by some of London’s finest piano players and singers, all the while requesting songs and indulging in the most delectable drinks and choice cocktails from an expertly crafted menu.
Now, driven by the passion of soul and blues artist James Sayer, Piano Smithfield has become London’s premiere live music and piano-bar venue, showcasing some of the best talent in the UK music scene today. Piano Smithfield has already played host to a whole range of acts and musical styles and has most recently featured acclaimed jazz and soul artists such as Liane Carroll, Ian Shaw and Derek Nash.
Still continuing to preserve the classic late-night piano bar tradition, Piano Smithfield is now also paving a way for exciting live music in the heart of London’s Culture Mile with a packed programme of shows each week followed by the brilliant piano players that are the beating heart of the venue.
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